kneilmigz Posted August 26, 2005 Share Posted August 26, 2005 waaaaahhhhh... wala na yung slow rock mp3s sa recto. binalikan ko kagabi, sabi wala na daw sila stock... :cry: dapat talaga binili ko na yun nun wednesday.... Quote Link to comment
cruesome Posted August 26, 2005 Share Posted August 26, 2005 (edited) black crowes are the taper-friendly rock and roll jam band that's sold over 15 million records and has been hailed by Melody Maker as "The Most Rock 'n' Roll Rock 'n' Roll Band in the World." favorite ko to lalu na yung album nilang"shake your money maker" at "southern harmony" eto yun mga fave kong songs nila "Hard to Handle," "She Talks to Angels," "Jealous Again," "Twice As Hard" and "Seeing Things," sa unang album 2nd album "remedy","Thorn in my pride","bad luck blue eyes,goodbye",Sometimes Salvation Amorica,3rd album:"A Conspiracy",Ballad In Urgency" ,"Wiser Time","Descending" idol ko talaga to!!!!<{POST_SNAPBACK}> loved jelous again like it more than hard to handle. nonetheless, walang tapon kada album. Edited August 26, 2005 by cruesome Quote Link to comment
cruesome Posted August 26, 2005 Share Posted August 26, 2005 waaaaahhhhh... wala na yung slow rock mp3s sa recto. binalikan ko kagabi, sabi wala na daw sila stock... :cry: dapat talaga binili ko na yun nun wednesday.... <{POST_SNAPBACK}> two choises for you, drop by libis area or download via ftp let me know. Quote Link to comment
kneilmigz Posted August 26, 2005 Share Posted August 26, 2005 two choises for you, drop by libis area or download via ftp let me know.<{POST_SNAPBACK}> i'm not familiar in libis area eh. but i'll let you know if ever 'di ko nakuha yung mp3. meron din ako hinahanap n glam eh. baka meron kang: Tomorrow by Europe Right Here Right Now by Jesus Jones Quote Link to comment
Immortal666 Posted August 26, 2005 Share Posted August 26, 2005 @kneilmigz: Hindi po glam ang Jesus Jones. Quote Link to comment
Guest Dobermaxx Posted August 26, 2005 Share Posted August 26, 2005 Wow, I just found my Slaughter Stick it to ya CD. Fly to the Angels, now thats a power ballad. It's right up there with Home Sweet Home. :cool: Quote Link to comment
kneilmigz Posted August 27, 2005 Share Posted August 27, 2005 @kneilmigz: Hindi po glam ang Jesus Jones.<{POST_SNAPBACK}> oo nga eh. napansin ko din... nahalo kasi sa collection kaya akala ko glam din... Quote Link to comment
cruesome Posted August 28, 2005 Share Posted August 28, 2005 two albums i equally loved from EXTREME, too bad only "More Than Words" enjoyed local popularity, all other songs were only aired over NU107 back then. http://images.amazon.com/images/P/B000002GJ7.01._SCLZZZZZZZ_.jpg http://images.amazon.com/images/P/B000002G0P.01._SCLZZZZZZZ_.jpg extreme (ex treme) [[>L, boston rockers]] 1. boston based funk/rock, vegas style, progressive musical four piece band; used to inhabit the music scene and make brilliant songs, this formula consists of a cherone, gary; who sings like a madman and writes lyrics like shakespere on acid, a badger, patrick; a blonde haired bass gun, if he pulls the trigger he will rock your world, a bettencourt, nuno; portugese guitar player, plays his music like a serial killer with a mind of musical notes, a geary, paul; a short haired drummer who will blow your eardrums out. 2. Everything Under The Sun http://www.geocities.com/neptune_vicinity/Extreme_Esteem/III_sides_tour_ext_logo_pic1.jpg http://web.idirect.com/~music/extreme/graphics/ecollage.gif Quote Link to comment
hitman531ph Posted August 29, 2005 Author Share Posted August 29, 2005 JOHN WAITE As a solo artist and as the lead singer of the Babys and Bad English, John Waite was a fixture album-oriented rock radio stations during the '70s and '80s. Waite had a talent for power ballads and driving arena-rock, occasionally touching on New Wave-styled power-pop, as well. Though he didn't consistently have hits, several of his songs -- including "Missing You," the Babys' "Isn't It Time," and Bad English's "When I see You Smile" -- became radio staples.John Waite formed the Babys in London, England in 1976 with Wally Stocker (guitar), Mike Corby (vocals, keyboards), and Tony Brock (drums). Initially conceived as a teen-pop band, the group earned a record contract based on the strength of a video demo they constructed with producer Mike Mansfield. Chrysalis pushed the band heavily, resulting in a "Isn't It Time" becoming a hit in the US and UK in 1977. As their career progressed, the group began to experiment with synthesized, New Wave-inspired power pop, which resulted in a handful of minor hits. Jonathan Cain became the band's keyboardist in 1978, and he and Waite developed a close relationship. When Cain left the Babys to join Journey in 1981, the group disbanded. Waite began his solo career the following year, releasing Ignition on Chrysalis. While the album generated the minor hit "Change," his second album, 1984's No Brakes, became a genuine Top 10 hit on the strength of the number one single "Missing You." While "Missing You" was an international smash, eventually becoming one of the best-remembered songs of the early MTV era, No Brakes produced only one other hit, the Top 40 "Tears." Its failure to produce another blockbuster was indicative of how Waite's solo career would proceed. Mask of Smiles (1985) barely managed a Top 40 entry ("Every Step of the Way") but Rover's Return (1987) produced no hits, bringing Waite's career to a stand-still. With his career stalled, Waite formed the super-group Bad English with former Babys Jonathan Cain and Ricky Phillips (bass), ex-Journey guitarist Neal Schon, and drummer Deen Castronovo. The group's eponymous debut, released in 1989 on Epic Records, became a platinum success after the power ballad "When I See You Smile" became a number one hit. "Price of Love" was a Top 10 hit in the wake of "When I See You Smile," but their 1991 followup Backlash suffered from one. Bad English broke up shortly after the album's release. Quote Link to comment
cruesome Posted August 29, 2005 Share Posted August 29, 2005 Wow, I just found my Slaughter Stick it to ya CD. Fly to the Angels, now thats a power ballad. It's right up there with Home Sweet Home. :cool:<{POST_SNAPBACK}> i remember back in college, may sweetie and her friends shrieks as they watch blas elias hits the drums on the "fly to the angels" video. lucky bastard Quote Link to comment
Dr.Love Posted August 29, 2005 Share Posted August 29, 2005 Blas Elias --> One of the prettiest glam drummers. Quote Link to comment
Diecast Posted August 30, 2005 Share Posted August 30, 2005 anak nang.... s**t bat ngayon ko lang to nakita?? i love glam!some of the ones i listen too.. def leppard - hysteria , animalvan halen - baluchiterium, dreamsnelson - after the rainextreme - get the funk outmr big - green tinted 60s mind, promise her the moonbon jovi - you give love a bad name Quote Link to comment
hitman531ph Posted September 1, 2005 Author Share Posted September 1, 2005 FLEETWOOD MAC While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into a polished pop/rock act over the course of a decade. Throughout all of their incarnations, the only consistent members of Fleetwood Mac were drummer Mick Fleetwood and bassist John McVie -- the rhythm section that provided the band with its name. Ironically, they had the least influence over the musical direction of the band. Originally, guitarists Peter Green and Jeremy Spencer provided the band with its gutsy, neo-psychedelic blues-rock sound, but as both guitarists descended into mental illness, the group began moving toward pop/rock with the songwriting of pianist Christine McVie. By the mid-'70s, Fleetwood Mac had relocated to California, where they added the soft rock duo of Lindsey Buckingham and Stevie Nicks to their lineup. Obsessed with the meticulously arranged pop of the Beach Boys and the Beatles, Buckingham helped the band become one of the most popular groups of the late '70s. Combining soft rock with the confessional introspection of singer/songwriters, Fleetwood Mac created a slick but emotional sound that helped 1977's Rumours become one of the biggest-selling albums of all time. The band retained its popularity through the early '80s, when Buckingham, Nicks, and Christine McVie all began pursuing solo careers. The band reunited for one album, 1987's Tango in the Night, before splintering in the late '80s. Buckingham left the group initially, but the band decided to soldier on, releasing one other album before Nicks and McVie left the band in the early '90s, hastening the group's commercial decline. While Fleetwood Mac had finally attained their long-desired commercial success, the band was fraying apart behind the scenes. The McVies divorced in 1976, and Buckingham and Nicks' romance ended shortly afterward. The internal tensions formed the basis for the songs on their next album, Rumours. Released in the spring of 1977, Rumours became a blockbuster success, topping the American and British charts and generating the Top Ten singles "Go Your Own Way," "Dreams," "Don't Stop," and "You Make Loving Fun." It would eventually sell over 17 million copies in the U.S. alone, making it the second biggest-selling album of all time. Fleetwood Mac supported the album with an exhaustive, lucrative tour and then retired to the studio to record their follow-up to Rumours. A wildly experimental double album conceived largely by Buckingham, 1979's Tusk didn't duplicate the enormous success of Rumours, yet it did go multi-platinum and featured the Top Ten singles "Sara" and "Tusk." In 1980, they released the double-album Live. Following the Tusk tour, Fleetwood, Buckingham, and Nicks all recorded solo albums. Of the solo projects, Stevie Nicks' Bella Donna (1981) was the most successful, peaking at number one and featuring the hit singles "Stop Draggin' My Heart Around," "Leather and Lace," and "Edge of Seventeen." Buckingham's Law and Order (1981) was a moderate success, spawning the Top Ten "Trouble." Fleetwood, for his part, made a world music album called The Visitor. Fleetwood Mac reconvened in 1982 for Mirage. More conventional and accessible than Tusk, Mirage reached number one and featured the hit singles "Hold Me" and "Gypsy." After Mirage, Buckingham, Nicks, and Christine McVie all worked on solo albums. The hiatus was due to a variety of reasons. Each member had his or her own manager, Nicks was becoming the group's breakaway star, Buckingham was obsessive in the studio, and each member was suffering from various substance addictions. Nicks was able to maintain her popularity, with The Wild Heart (1983) and Rock a Little (1985) both reaching the Top 15. Christine McVie also had a Top Ten hit with "Got a Hold on Me" in 1984. Buckingham received the strongest reviews of all, but his 1984 album Go Insane failed to generate a hit. Fleetwood Mac reunited to record a new album in 1985. Buckingham, who had grown increasingly frustrated with the musical limitations of the band, decided to make it his last Fleetwood Mac project. When the resulting album, Tango in the Night, was finally released in 1987, it was greeted with mixed reviews but strong sales, reaching the Top Ten and generating the Top 20 hits "Little Lies," "Seven Wonders," and "Everywhere." Buckingham decided to leave Fleetwood Mac after completing Tango in the Night, and the group replaced him with guitarists Billy Burnette and Rick Vito. Quote Link to comment
sickness Posted September 2, 2005 Share Posted September 2, 2005 May mga nadownload ako na mga mp3 ng mga glam rock/hair bands sa edonkey. Yung iba nga doon eh mga live songs. Quote Link to comment
hitman531ph Posted September 2, 2005 Author Share Posted September 2, 2005 THE DAWN The Filipino rock band the Dawn were cloaked in mystery when a raw demo of their song "Enveloped Ideas" was first played on Manila, Phillipines' new wave radio station XB-102 in 1986. Opening with funereal synths and ghostly, operatic vocals à la Klaus Nomi, "Enveloped Ideas" had the fingerprints of a British import. The Dawn eventually topped U.K. groups such as the Colourfield, the Housemartins, and Friends Again on the station's request lines via listeners with no knowledge that the band was actually homegrown. The Dawn originated as a nameless trio in the mid-'80s with guitarist Teddy Diaz, Junboy Leonor (drums), and Clay Luna (bass). At first, Diaz was the group's singer. The band then unsuccessfully tried looking for a female vocalist. They met Jett Pangan while he was pretending to help a girl audition for the group. After hearing Pangan sing, the band hired him to be their vocalist. When Luna moved to the U.S., he was replaced by Carlos "Caloy" Balcells. In 1986, the group called themselves the Dawn, named after a portrait of the Holy Spirit that symbolized the dawn of a new life. With "Enveloped Ideas," the Dawn became underground superstars, a vibrant new wave act in a country then dominated by easy listening artists. The Dawn signed with OctoArts and subsequently turned into mainstream idols as well. On August 21, 1988, Diaz, by that time a rock & roll hero to many Pinoy musicians, was stabbed by a drunken goon and was dead on arrival at the hospital. The Dawn continued with Atsushi Matsuura as their new guitarist until Francis Reyes joined the band; Dodo Fernandez (keyboards) was also added to the lineup. As the public's taste began to veer toward hard rock, the Dawn toughened their sound; nevertheless, audiences still clamored for new wave classics like "Enveloped Ideas" and Dreams." In 1995, the Dawn broke up. Pangan formed the Jett Pangan Group while Reyes started working as a DJ on alternative rock station NU-107 (and is still with NU-107). In 2000, the Dawn reunited and recorded the album Prodigal Sun; they toured the U.S. a year later. Quote Link to comment
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