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Are You Proud To Be A Filipino?


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Here's an interesting article from the viewpoint of a foreigner living in the Philippines about Filipino pride.

 

The

 

 

 

 

Philippines

 

 

 

 

In the eyes of a

 

 

 

 

Foreigner

 

 

 

 

 

 

 

 

 

By Barth Suretsky

 

 

 

 

 

 

My decision to move to Manila was not a precipitous one. I used to work in New York as an outside agent of Philippines Air Line, and have been coming to the Philippines since August, 1982. I was so impressed with the country and with the interesting people I met, some of whom have become very close friends to this day, that I asked for and was granted a year's sabbatical from my teaching job in order to live in the Philippines

 

I arrived here on August 21, 1983, several hours after Ninoy Aquino was shot, and remained here until June of 1984. During that year I visited many parts of the country, from as far north as Laoag to as far south as Zamboanga, and including Palawan. I became deeply immersed in the history and culture of the archipelago, and an avid collector of tribal antiquities from both northern Luzon and Mindanao.

 

In subsequent years I visited the Philippines in 1985, 1987, and 1991, before deciding to move here permanently in 1998. I love this country, but not uncritically, and that is the purpose of this article. First, however, I will say that I would not consider living anywhere else in Asia, no matter how attractive certain aspects of other neighboring countries may be.

 

To begin with, and this is most important, with all its faults, the Philippines is still a democracy, more so than any other nation in Southeast Asia. Despite gross corruption, the legal system generally works, and if ever confronted with having to employ it, I would feel much more safe trusting the courts here than in any other place in the surrounding countries.

 

The press here is unquestionably the most unfettered and freewheeling in Asia , and I do not believe that is hyperbole in any way! And if any one thing can be used as a yardstick to measure the extent of the democratic process in any given country in the world, it is the extent to which the press is free.

 

Nevertheless, the Philippines is a flawed democracy, and the flaws are deeply rooted in the Philippine psyche. I will elaborate. The basic problem seems to me, after many years of observation, to be national inferiority complex, a disturbing lack of pride in being Filipino.

 

Toward the end of April I spent eight days in Vietnam, visiting Hanoi, Hue, and Ho Chi Minh City (HCMC). I am certainly no expert on Vietnam, but what I saw could not be denied: I saw a country ravaged as no other country has been in this century by thirty years of continuous and incredibly barbaric warfare.

 

When the Vietnam War ended in April, 1975, the country was totally devastated. Yet in the past 25 years the nation has healed and rebuilt itself almost miraculously! The countryside has been replanted and reforested. Hanoi and HCMC have been beautifully restored.

 

The opera house in Hanoi is a splendid restoration of the original modeled after the Opera in Paris, and the gorgeous Second Empire Theatre, on the main square of HCMC is as it was when built by the French a century ago.

 

The streets are tree-lined, clean, and conducive for strolling. Cafes in the French style proliferate on the wide boulevards of HCMC. I am not praising the government of Vietnam, which still has a long way to travel on the road to democracy, but I do praise, and praise unstintingly, the pride of the Vietnamese people.

 

It is due to this pride in being Vietnamese that has enabled its citizenry to undertake the miracle of restoration that I describe above.

 

When I returned to Manila, I became so depressed that I was actually physically ill for days thereafter. Why? Well, let's go back to a period when the Philippines resembled the Vietnam of 1975. It was 1945, the end of World War II, and Manila, as well as many other cities, lay in ruins.

 

 

 

 

 

 

 

 

 

Most Filipinos, when confronted with evidence of governmental corruption, political chicanery, or gross exploitation on the part of the business community, simply shrug their shoulders, mutter "bahala na," and let it go at that.

 

It is an oversimplification to say this, but it is not without a grain of truth to say that Filipinos feel downtrodden because they allow themselves to feel downtrodden. No pride.

 

One of the most egregious examples of this lack of pride, this uncaring attitude to their own past, is the wretched state of surviving architectural landmarks in Manila and elsewhere. During the American period, many beautiful and imposing buildings were built, in what we now call the "art deco" style (although incidentally, that was not contemporary term; it was coined only in the 1960s). These were beautiful edifices, mostly erected during, or just before, the Commonwealth period.

 

Three, which are still standing, are the Jai Alai Building, the Metropolitan Theater, and the Rizal Stadium. Fortunately, due to the truly noble efforts of my friend John Silva, the Jai Alai Building will now be saved. But unless something is done to the most beautiful and original of these three masterpieces of pre-war Philippine architecture, the Metropolitan Theater, it will disintegrate. The Rizal Stadium is in equally wretched shape.

 

When the wreckers' ball destroyed Frank Lloyd Wright's Imperial Hotel in Tokyo, and New York City's most magnificent building, Pennsylvania Station, both in 1963, Ada Louise Huxtable, then the architectural critic of The New York Times, wrote: "A disposable culture loses the right to call itself a civilization at all!" How right she was! (Fortunately, the destruction of Pennsylvania Station proved to the sacrificial catalyst that resulted in the creation of New York's Landmark Commission. Would there be such a commission created for Manila ... ?)

 

Are there historical reasons for this lack of national pride? We can say that until the arrival of the Spaniards there was no sense of a unified archipelago constituted as one country. True. We can also say that the high cultures of the nations in the region seemed, unfortunately, to have bypassed the Philippines; there are no Angkor’s, no Ayutthaya’s, no Borobudur’s. True.

 

 

 

 

 

Centuries of contact with the high cultures of the Khmers and the Chinese, had, except for the proliferation of Song dynasty pottery found throughout the archipelago, no noticeable effect. True. But all that aside, what was here?

 

 

 

 

 

 

 

 

 

To begin with, the ancient rice terraces, now threatened with disintegration, incidentally, was an incredible feat of engineering for so-called "primitive" people. As a matter of fact, when I first saw them in 1984, I was almost as awe-stricken was I was when I first laid eyes on the astonishing Inca city of Machu Picchu, high in the Peruvian Andes. The degree of artistry exhibited by the various tribes of the Cordillera of Luzon is testimony to a remarkable culture, second to none in the Southeast Asian region. As for Mindanao, at the other end of the archipelago, an equally high degree of artistry has been manifest for centuries in woodcarving, weaving and metalwork.

 

 

 

 

 

 

 

 

 

However, the most shocking aspect of this lack of national pride, even identity, endemic in the average Filipino, is the appalling ignorance of the history of the archipelago since unified by Spain and named Filipinas. The remarkable stories concerning the courageous repulsion of Dutch and British invaders from the 16ththrough the 18th centuries, even the origins of the Independence of the late 19th century, are hardly known by the average Filipino in any meaningful way. And thanks to fifty years of American brainwashing, it is few and far between the number of Filipinos who really know -- or even care -- about the duplicity employed by the Americans and Spaniards to sell out and make meaningless the very independent state that Aguilnaldo declared on June 12, 1898.

 

A people without a sense of history is a people doomed to be unaware of their own identity. It is sad to say, but true, that the vast majority of Filipinos fall into this category. Without a sense of who you are how can you possibly take any pride in who you are? These are not

oversimplifications.

 

On the contrary, these are the root problems of the Philippine inferiority complex referred to above. Until the Filipinos take pride in being Filipino these ills of the soul will never be cured. If what I have written here can help, even in the smallest way, to make the Filipino aware of just who he is, who he was, and who he can be, I will be one happy expat indeed!

 

 

 

 

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